Fantastic Epic Adventure: THE CHRONICLES OF NARNIA: PRINCE CASPIAN

May 16, 2008

By Dr. Ted Baehr, Publisher of MOVIEGUIDE®
Special to ASSIST News Service

PRINCE CASPIAN is a very exciting, fantastic epic in the tradition of LORD OF THE RINGS. Right up front it needs to be noted that the book has been re-imagined to make the movie. In most cases, this re-imagining has helped the drama considerably.

Better yet, the filmmakers have kept the integrity of and even highlighted the theological points C.S. Lewis was trying to make. One would hope that C.S. Lewis would be happy with the cinematic changes, although he was very critical of movies in general.

There are, however, a few minor divergences where media wisdom is required. So, don't expect to see the book when you come to the movie. Expect to see a wonderful movie that retains the faith of the book.

The movie opens with Prince Caspian learning that his evil Uncle, Miraz, who killed his father to get power, has just had a son. Now that he has an heir, Uncle Miraz can kill Caspian. Caspian's tutor, Dr. Cornelius, hastens Caspian out of the castle and tells him to ride f! or the woods because the human Telmarine soldiers are afra id of the Narnian creatures in the woods. This time, however, they pursue Caspian into the woods.

Caspian gets knocked off his horse into the hands of two dwarves, Trumpkin and Nikabrik. Through the dwarves, Prince Caspian meets the creatures of Narnia. In the process of his escape, he blows Susan's horn, which calls the four Pevensie children, Peter, Susan, Edmund, and Lucy, back to Narnia from World War II London, and even calls Aslan.

The children find their Narnia castle in ruins. 1,300 years have past in Narnia time since they ruled in Narnia, although only one year has past in earth time. The evil Telmarines are destroying Narnia. It is up to Prince Caspian and the four kings and queens to take the small ragtag army of Narnian creatures and fight against the fascist armies of the Telmarines. They are hoping and praying for Aslan to come to their aid. Aslan, for those who don't know, is the Christ figure, the son of the Emperor Beyond the Sea.

The message of the b! ook according to C.S. Lewis is the restoration of true rel igion in Jesus Christ after a long period of falling away. Another message is the message of the Book of Acts: How does one have faith in God, in the person of Jesus Christ, after His ascension. The book's strong faith message remains in the movie, but it has been re-organized so that Lucy is the only one who sees Aslan until a critical point in the story, unlike the book where each one meets Aslan in his own faith walk. Some of this reorganization makes it appear as if the battles are within the province and capability of the Pevensies, Caspian and other Narnians, but ultimately, it is God who determines the course of the Narnian civilization.

C. S. Lewis believed as the Bible says that through Jesus Christ God is redeeming all Creation. He sees the creatures as being redeemed along with the people. The creatures have their faith battles too. The movie clearly rejects evil, in the person of the bad Miraz and in the appearance of the White Witch, who was defeated in the f! irst movie. The movie contains a lot of sword fighting and action, which are reminiscent of the swashbuckling epics of the Golden Age of Hollywood.

The most problematic point is the fact that Susan and Lucy fight in the movie. C. S. Lewis believed that women should not fight, but the good news is that the filmmakers have chosen to be discreet about the women's battle sequences. Even better news is that I had a long conversation with writer/director Andrew Adamson, and he decided not to use the wild party that Bacchus throws in the book. Andrew rightly believed that it was not appropriate to show children drinking wine at a raucous feast.

Despite some minor loose ends in the movie, the plot points are clear, the emotion is intense, the audience cheered and laughed at the right points, and even hard-hearted critics loved the movie. PRINCE CASPIAN should be a tremendous hit since 100 million copies of THE CHRONICLES OF NARNIA have been printed.

MOVIEGUIDE® commends the filmmakers for being faithful to the book's themes. They tur! ned a difficult plot into a terrific, exciting epic adventure.

SUBTITLES: None

WARNING CODES:
Language: None
Violence: VV
Sex: None
Nudity: N

RATING: PG

RELEASE: May 16, 2008

TIME: 140 minutes

STARRING: Georgie Henley, Skandar Kernes, William Moseley, Anna Popplewell, Ben Barnes, Peter Dinklage, Pioerfrancesco Favino, Sergio Castellito, Warwick Davis, and the voices of Liam Neeson and Eddie Izzard

DIRECTOR: Andrew Adamson

PRODUCERS: Andrew Adamson, Mark Johnson and Philip Steuer

EXECUTIVE PRODUCER: Perry Moore

WRITERS: Andrew Adamson, Christopher Markus and Stephen McFeely

BASED ON THE NOVEL BY: C. S. Lewis

DISTRIBUTOR: Walt Disney Pictures

CONTENT: (CCC, BBB, VV, N, M) Very strong Christian worldview stresses the appearance and faith in the Christ figure of Aslan with very strong moral elements of sacrifice, loyalty, honesty, truth, and justice extolled; no foul language; strong action violence but no blood includes archers shoot pointblank, many battle sequences, people dying in battle sequences, hand-to-hand combat, sword fighting, catapults, and a full range of military and martial arts displayed, man slaps dwarf, witch cuts man's hand, drownings, assassination, people hit and beaten, creatures and animals attack people, and people attack and kill creatures and animals; no sex; upper male nudity for male centaurs, minotaurs and mythical creatures; no apparent alcohol; no smoking; and, evil king kills brother, conspiracy against evil king.

GENRE: Adventure Fantasy

INTENDED AUDIENCE: All ages

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(c) baehr, 2008

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