By Dr. Ted Baehr, Publisher of MOVIEGUIDE®
Special to ASSIST News Service
Intelligence is not your smarts, as they say in New York, but knowing everything you can about the target territory, such as where the weapons of mass destruction are buried.
MOVIEGUIDE® always has urged people of faith and values to get into the entertainment industry. At the same time, we have warned people about the pitfalls and tried to educate people and equip them to deal with the unique situation of show business. In this regard, the Los Angeles Times has published a series of articles on all the brilliant outsiders like Howard Hughes and William Randolph Hearst (to invoke some ancient examples that are common knowledge) who came to Hollywood and got fleeced. The Los Angeles Times article on how Kirk Kirkorian bought MGM twice and had the same group of insiders pull the rug out from under him both times.
Thus, the good news is that more Christians are getting involved; the bad news is that many of the deals they are doing just don’t make sense, and these brothers and sisters in Jesus Christ are getting fleeced. Not too long ago, several very wealthy Christians tried to produce their pet movies and ended up coming to me to ask what they should have done to not get fleeced. They formed a small group to meet with Entertainment Industry executives once a month to learn how the Entertainment Industry worked. Most of them were discouraged by what they discovered.
With the success of THE PASSION OF THE CHRIST and FACING THE GIANTS, more and more Christians are getting involved in the Entertainment Industry. Savvy distributors are asking little independent movies produced by Christians to put up $5 to $10 million in distribution fees for their home grown independent movies. Like self-publishing fees, most of these fees disappear into the Hollywood overhead of the distributor.
There are two problems with believing you can rent a distribution system at these discount prices. One is that if a distributor is releasing a movie it produced and financed at the same time it is releasing an independent movie that has bought its distribution system, the distributor will naturally lean toward promoting its own movie, for very obvious reasons. When a Christian reporter said to me that this was shocking, I said that if you had to meet with a studio head and they told you that you could pitch only one script but you had your script as well as a friend’s, which one would you pitch?
A movie has to gross at the box office at least two and a half times its production budget to break even. Why? Well, let’s go through the mathematics quickly. Theaters will take 25% to 90% of the ticket price depending on the bargaining power of the distributor. Let’s say they take a conservative 50%. That leaves 50% to be divided between the Christian producers and the distributor. If the distributor takes between 50% to 90%, that leaves at most 50% of 50% of the ticket price, or 25%. Thus, if the movie grosses $10 million, which is highly unlikely for an independent movie in the best of all circumstances, the theater will take $5 million, the distributor will take $2.5 million, and the producer may get $2.5 million. Of course, this is very optimistic, because of the large upfront costs of distribution.
Realistically, therefore, to make your money back on a $10 million investment in the production and distribution of a movie, the movie has to gross more than $40 million or $50 million. If you go to www.boxofficemojo.com or any other movie website, you will see right away that very few movies make that much box office.
Producers who tell investors they’re going to make their money back under these circumstances need to be challenged about their projections. For example, I recently heard of one wealthy individual being asked to put up $7 million to distribute a documentary. In the 113 years of movie history, however, only about two have ever made more than $50 million, as far as we know, FAHRENHEIT 9/11 and MARCH OF THE PENGUINS.
Of course, as PT Barnum said, there’s a sucker born every minute. Regrettably, history has shown that some of the brightest financial minds have been conned by the Hollywood community. If you’d like to know all of the different pitfalls, tricks and opportunities to succeed in Hollywood, please get a copy of my book SO, YOU WANT TO BE IN PICTURES?
SO YOU WANT TO BE IN PICTURES? Will show you how to use your God-given and God-ordained gifts and talents to make significant creative contributions to the entertainment world.
Learn from industry professionals – the brightest and best people of faith in the entertainment industry – how they developed their screenwriting, acting, directing, producing, and behind-the-scenes interests to make Hollywood and the world a better place.
The contributors you will read exclusively in SO YOU WANT TO BE IN PICTURES include:
Richard Cook, chairman of Walt Disney Pictures;
Peter Engel, producer of LAST COMIC STANDING, ALL ABOUT US, MALIBU, CA, CITY GUYS, USA HIGH, HANG TIME, and the famous SAVED BY THE BELL;
Bill Ewing, former Executive Vice President of Columbia Pictures;
Bill Fay, executive producer of many movies including INDEPENDENCE DAY and THE PATRIOT;
Penelope Foster, co-producer of many movies, including OPERATION DUMBO DROP, FREE WILLY and ROSEWOOD;
Don Hahn, producer of many movies including THE LION KING, BEAUTY AND THE BEAST, and THE HUNCHBACK OF NOTRE DAME;
Brenda Hampton, writer of many television programs, including LOVE BOAT, SAFE HARBOR and 7TH HEAVEN (creator and executive producer);
Bruce Johnson, president of Porchlight Entertainment;
Dave, Gary and Joan Johnson, writers and producers of many television programs including AGAINST THE GRAIN, DOC and SUE THOMAS: F.B.EYE;
Al Kasha, Academy Award winning songwriter and composer for many movies and television programs, including THE POSEIDEN ADVENTURE, THE TOWERING INFERNO, and THE RUGRATS GO WILD!;
Ron Maxwell, writer and director of many movies including PARENT TRAP II, LITTLE DARLINGS, GETTYSBURG and GODS AND GENERALS;
Brad Moore, president of Hallmark Hall of Fame;
Bud Paxson, owner of PaxTV;
John Ratzenberger, voiced every Pixar movie, star of hit TV show Cheers, and producer of Made in America;
Barry Reardon, former president of Distribution for Warner Bros.;
Phil Roman, executive producer of GARFIELD, TOM AND JERRY, and THE SIMPSONS;
Andrew Stanton, the scriptwriter for TOY STORY, TOY STORY II, BUGS LIFE, MONSTER’S INC., and FINDING NEMO (which he also directed and produced);
Chuck Viane, president of Walt Disney Company's Buena Vista Film Distribution Group;
Randall Wallace, the writer of many movies including BRAVEHEART, PEARL HARBOR, and WE WERE SOLDIERS (which he also directed and produced);
Frank Yablans, former president of Paramount Pictures.
As STEPHEN COLLINS, star of 7th Heaven, said:
“SO YOU WANT TO BE IN PICTURES? is full of wonderful interviews, tips, and research that anyone can put to work...Written with real-world practicality, here’s a primer on how to break into the movie business while hanging on to your soul.”
NOTE from Dr. Ted Baehr:
For more information from a Christian perspective, order the latest MOVIEGUIDE
magazine by calling 1-800-899-6684(MOVI) or visit our website at www.movieguide.org.
MOVIEGUIDE is dedicated to redeeming the values of Hollywood by informing
parents about today's movies and entertainment and by showing media executives
and artists that family-friendly and even Christian-friendly movies do
best at the box office year in and year out.
MOVIEGUIDE now offers an online subscription to its magazine version,
atwww.movieguide.org.
The magazine, which comes out 25 times a year, contains many informative
articles and reviews that help parents train their children to be media-wise
consumers.
MOVIEGUIDE also regularly broadcasts several international TV and radio
programs hosted by Dr. Baehr.
ASSIST News Service (ANS)
PO Box 609, Lake Forest, CA 92609-0609 USA
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